Editorial #17

Some further questions

…it makes me think about dependency and interaction over long periods of time, like how two and more species become symbiotically or parasitically entangled. And how that scale is of life, not a scale of something like lifespan or a scale of “a” life. Maybe there are words and tenses in German that show this in similar or different ways?

Are there? Park McArthur was responding here to our thought that Starship would become a “carrier” for her contribution, Studs. It’s maybe too knotted to begin with “translation,” but if we’re to think of “scales of life,” language too is a carrier, right?, and in the case of this Starship issue, this printed magazine becomes something of a body…

I would say the German word “Umfang,” or “Zeitspanne” would be a term, though only if we were to take a bigger picture into account, or when speaking of a larger time span. In terms of Starship time, as soon as we start thinking about possible subjects for the next issue, they seem to form themselves, albeit around specific chronologies of life, around densities and necessities that make things happen. From there nets are built that refer to subjects addressed by other invited contributors. There is a general feeling of the importance of speaking, and taking a closer look into these preoccupations in this moment, asking questions in order to acquaint ourselves with forms of knowledge, and what possible courses of action there may be for making changes.

Indeed… and often our own interests are intercepted or interrupted by our invited contributors, but also by the regulars. This is the 20th year of Starship—quite a “scale,” maybe there should be an anniversary issue?—and although the magazine retains some of the traces of its and other pasts, it always attempts to be responsive to the moment. It’s somehow interesting that the second series of Park McArthur’s questions on the previous page, refer to topics like color and shape in relation to structures around the body—her own body—because it turned out that “fashion” became a thread that runs through the issue. How does, or can the body appear and behave in space, and what are the things with which we dress it up?

Hans-Christian Dany’s column—co-founder of Starship and contributor ever since—has become something of a fashion column seen through an art world lens, and in this issue you’ll find a number of contributions that interrogate fashion. Rather than simply focusing on surfaces, in retrospect, these trains of thought resonate with others herein because they cast their gaze on socialities that produce not only the singular body, but collective forms of body. Antek Walczak breaks it down with his study of data and its role in the recording of, but also its demands on the making of “current bodies.”

Luzie Meyer digests and disassembles a religious story about female desire. Marie Angeletti tries to reconcile being foreign in Berlin through historical signifiers she happened upon while making art here, and Dunja Herzog travels outside of her geographical borders and gives us a glimpse of something not at all Berlin.

These are to name just a few. You’ll find a lot of “face” in the first half of the magazine. This gives way to landscapes and structures, all of which have been punctured by our own choosing, a hole has been driven through the collected efforts printed here, and we stand by the tensions we’ve invited because we make this in and for a landscape that we’re ever so involved in. The next few pages you’ll look at resemble advertisement pages that many an art mag print, but for us they’re the platforms we support—our Freundschaftsanzeigen—that in turn, contribute to the making of our every days…

Starship 17: Cover Park McArthur, Martin Ebner
  1. Some follow up questions Park McArthur
  2. Editorial #17 Starship, Gerry Bibby, Ariane Müller, Nikola Dietrich, Henrik Olesen, Martin Ebner
  3. New York City in 1979, shot in 1981 Anne Turyn, Chris Kraus
  4. E.very D.amn C.olor Eric D. Clark
  5. Then I wanted to make a happy end for once Ariane Müller, Verena Kathrein
  6. Answering Lagos Dunja Herzog
  7. Fashion Fiction Eduardo Costa
  8. Hello world Vera Tollmann, Stephanie Fezer
  9. Social bodies Mercedes Bunz
  10. Saint Lucy Luzie Meyer
  11. The Overworked Body: An Anthology of 2000s Dress Robert McKenzie, Matthew Linde
  12. Untitled (waiting for trouble) Tony Conrad
  13. #PLZ, RESCHYKLI$CCH Karl Holmqvist
  14. Life, Liberty, and Data Antek Walczak
  15. Eine schmutzig-weisse Schweizerin Hans-Christian Dany
  16. Butterrr Mikhail Wassmer
  17. Botanical Quinn Latimer
  18. Marie Angeletti; Les veaux, les agneaux Marie Angeletti
  19. Insect Love Tenzing Barshee
  20. In the Name of Jakob Kolding
  21. Pavilion-in-Parts. A Logbook. Florian Zeyfang
  22. 2017, Year of the L.I.E. Jay Chung
  23. Schriftproben bei Vergiftungen Stefan Burger
  24. Flightless Gerry Bibby
  25. Der Beautiful Books Club (BBC) Stephan Janitzky
  26. The Provenance of Privilege in the Primary Market Mitchell Anderson
  27. MD / NS Natasha Soobramanien
  28. Time Warner Some Notes on Now Monika Senz
  29. Image is an Orphan Shahryar Nashat
  30. The Bavarian Vampire 1–4 Veit Laurent Kurz, Levi Easterbrooks
  31. Indefinite Violence David Bussel
  32. Because of you I know that I exist Viktor Neumann
  33. Discarded Sounds (Intro) Robert Meijer
  34. Verweile doch Theresa Patzschke
  35. rare fragments from the notebook of an unspecified archetype Scott Cameron Weaver
  36. Starship 17 Julian Göthe
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